(Glass Onyon) Crossfire Publications have set a May 28, 2012 release date for a 5-CD set of recordings from the pre-Mothers era, with many tracks making their CD debuts.
The set is entitled “Paul Buff Presents Highlights From The Pal And Original Sound Studio Archives.” Paul Buff, owner of Pal Recording Studio in Cucamonga, California from 1957-1964, first opened up his archives in 2010 for a large series of download-only releases.
This 156-track collection features 58 early masters by the late Frank Zappa, recorded at Pal and Original Sound Recording Studios. These recordings feature Zappa as performer, writer and/or producer.
Multi-instrumentalist Paul Buff created Pal Recording Studio in December 1957 with a simple two-track Viking recorder. The demand for stereo recording led Buff to create a homemade, five-track recording studio when the industry standard was still mono or two-track stereo recording.
Buff’s studio creativity and complete openness in recording musicians of all backgrounds and styles naturally resulted in studio bookings by many local artists. Pal Recording Studio quickly became a place where musicians could record their rehearsals and repertoire and leave with high quality recordings. One of those groups of musicians was The Surfaris, who recorded “Wipe Out” at Pal in late 1962. This surf standard is the best known Pal recording.
“Paul Buff Presents Highlights From The Pal And Original Sound Studio Archives” has many in-demand rarities and unreleased tracks drawn from Paul Buff’s mixdown tapes and reference discs. Original releases of the records represented in this box set literally cost hundreds of dollars apiece, reflecting the impressive historical and musical value of Crossfire’s set.
Pal functioned as the recording home for Buff’s record labels (Pal, Emmy, Yukon, Plaza and Vigah!) and for The Pal Studio Band, a group of musicians revolving around Paul Buff, guitarist Dave Aerni and young guitarist/drummer Frank Zappa. Buff taught Zappa the art of recording studio operation as The Pal Studio Band created a large body of work. On many occasions, this group succeeded in licensing their tracks to larger record labels. When these recordings could not find a home, in-house labels by Buff or Dave Aerni (Daytone, Ador, Daani) released them.
Emmy’s releases featured three singles by The Masters, cut by Buff and guitarist Ronnie Williams. The B-side of the second Masters single, “Breaktime,” featured overdubbed guitar leads by Zappa. Other early singles that spotlighted Frank Zappa were by The Penguins, The Hollywood Persuaders, The Tornadoes, Buddy And The Crickets, Ron Roman, Baby Ray And The Ferns, Brian Lord And The Midnighters, Mr. Clean, The Heartbreakers, Ned & Nelda, Bob Guy, Conrad And The Hurricane Strings, The Cordells, The Rhythm Surfers, The Woody Waggers, The Decades, and Johnny Barakat And The Vestells. Many Pal Studio Band tracks with Zappa involvement make their CD debuts in this box set, including some with original Mothers Of Invention vocalist Ray Collins.
While still at Pal, Paul Buff started working with Art Laboe, owner of Original Sound Records. Laboe asked Buff to create a new recording studio for Original Sound artists, and in 1964, Paul finished creating his own ten-track recording gear. Buff was already in place as Original Sound’s studio engineer when he sold Pal Recording Studio to Frank Zappa on August 1, 1964. Many Original Sound artists were engineered by Paul Buff, who had started making his own recordings at the studio the previous year.
Paul Buff’s Original Sound output was credited to his own name as well as many other artists. Tracks recorded with Dave Aerni were released as by The Bongo Teens and The Rotations. One-man-band recordings issued as The Hollywood Persuaders include the well known “Tijuana” and “Drums A-Go-Go.” Paul also recorded with his first wife Allison as The Catalinas, Lori Allison, The Buff Organization and with vocalist Ricky Dean. The Friendly Torpedoes featured Buff with The Music Machine’s Sean Bonniwell. Nearly the entire output of the All-American label (known for Strawberry Alarm Clock’s “Incense And Peppermints”) was engineered by Buff, as was Sugarloaf’s “Green-Eyed Lady” for Liberty.
“Paul Buff Presents Highlights From The Pal And Original Sound Studio Archives” is available in DVD-sized packaging, with a 40-page, illustrated color booklet containing detailed information about the artists and the recordings. The five CDs in the set feature reproductions of the Pal, Plaza, Yukon, Emmy and Vigah! labels.
The first 200 pre-release orders from Crossfire Publications will be accompanied by two additional CDs – The Tornadoes’ “Now And Then” and “Charge Of The Tornadoes” – featuring an additional 11 tracks that Frank Zappa engineered at Pal during 1962-1963.
The drawing on the front cover of Crossfire’s set is Frank Zappa’s “A Day At The Beach,” which Frank created in the early 1960s for his sister Patrice “Candy” Zappa. This set joins the book reissues of Candy Zappa’s “My Brother Was A Mother: Take 2″ and father Frank V. Zappa’s “Chances: And How To Take Them.”