Memories of Gregg Allman

Gosh, I have found so much music press lately that has been so inspiring. This is an article about Greg Allman who played a private concert for A Buffalo high school while in Rehab in 1976. It was a really lovely Read I wanted to share, read it here:

http://www.canisiushigh.org/news/news-item/~post/memories-of-gregg-allman-20170605

The student body has shared remembrances of this performance on the Canisius High School Facebook page:

https://www.facebook.com/CanisiusHS/

The Verdict on iOS music Creation

I’ve been working with the iPad Pro for the better part of 6 months. I’ve purchased 3 DAW’s, Garageband for iPad, Auria and Cubasis. They sound pretty Legit, Cubasis having the overall best sounding Virtual instruments (GarageBand a very close 2nd). If I were recording electronic Music only, I wouldn’t use anything other than an iPad. You can do just about everything you can carry out on a MacBook Pro in that realm.

For making organic analog music using Real Drums that have true groove, it fails blatantly. I’ve purchased the Real Time alternatives to Superior Drummer and BFD, Sonically they all fall VERY short but one. The best sounding acoustic Percussion with any decent workflow was Garageband’s x drummer. If you use it for Logic X and you like the sound you’re golden.

I like the sound of X Drummer, but it’s not very flexible in the choice of sounds and tones. For instance I could never get Full Kit sounds like some of the Steven Slate libraries I own for Mac and PC. You can get true non-quantised human groove like a Superior Drummer or BFD. That’s really important to me.

I also like how every thing plugs in seamlessly with AU. With the release of iOS 10 AU became more useful and feature rich. I rarely used AudioBus even back under iOS 9 with the Previous version of AU, the exception was Auria. Using X Drummer in GarageBand for iPad as a plugin to Auria or Cubase is a walk in the park with AudioShare. It’s actually easier and more seamless to use plugins, even whole DAW’s plugging into each other in iOS (more so than a PC).

I think you can make really great Acoustic instrument Demos giving the restrictions of iOS music creation. I don’t think you can create something professional and polished for Pandora Radio etc. The two pieces that are missing from all 3 DAW’s are:

Flexible good sounding Percussion creation somewhat resembling the Mac and PC world.
The feature that allows one to do several “takes” or “comps” of the same passage of music.

I believe as time moves forward these issues will be solved sooner more than later. There’s too much open market opportunity here for software companies.

EDIT: I forgot to tag this with categories and Keywords and originally posted this a few days ago, I was really tired! I reposed with the right SEO information.

Things I’ve learned about iPad DAW in the last 30 days

In the last month I’ve been in the wood shed daily working with the new iPad, the Presonus interface and new apps. I’m having so much fun! I really think the challenge of the learning curve is something I needed and truly enjoy. Challenges for me like most people are great in life especially, musical challenges. Doing what you love and workig diligently at it.

Most of what I’m going to share is about are the apps I’ve purchased:

  • Bias FX
  • Bias Amp
  • Bias JamUp Pro
  • Bias Final Touch
  • IK Multimedia SampleTank for iOS
  • DrumPerfict Pro

Positive Grid’s Guitar Plugins are IMHO the best you can purchase for the Macintosh platform. Although I usually mic up Guitar amplifiersin the PC realm, I use Bias Peak with Logic and Pro Tools to re-amp and layer. Bias Amp sounds just as good to my ears as it does on the Mac. I am blown away by this app on the iPad. Bias FX and the amps in JamUp Pro are just as great on the iPad.

Final Touch was something that was somewhat of an impulse buy because it was on sale. I’m quite happy with this mastering suite and grateful I picked it up. I’ve loosely mastered two demos with it so far, the tracks really came to life nicely. On labor day I paid a whopping $4.99 for the app on sale, Positive Grid has amazing holiday sales. The Memorial day sale prices are still current, GO BUY THEM!

 

  • Bias FX- Normal Price $29.99 Now  $9.99
  • Bias Amp Normal Price $19.99 Now $4.99
  • Bias JamUp Pro Normal Price $19.99 Now  $4.99
  • Bias Final Touch Normal Price $29.99 Now $4.99

 

I’ve always thought SampleTank had great sound samples, the Neil Peart Drums are awesome. I’ve had the free version of SampleTank for iOS on my iPhone for years, I knew the sounds were solid. Since it’s on sale for $15.99 for fathers day I pulled the trigger. It has great organ and electric piano samples, I’m happy I purchased it.

DrumPerfict Pro is touted as the Superior Drummer 2 / BFD for iPad. I can tell you it is no such thing. Firstly, the drums samples are horrible, I mean really bad. I can’t believe this has the positive reviews it has. Drummer inside of garage band sounds light years better that DrumPerfict Pro.

Second, the user interface is a train wreck. It’s a mishmash of screens that have no rhyme or reason other than the grid screen. How could you screw up a grid UI yes? After thinking it over I am going to ask Marinus J.G. van de Molengraft for a refund. While I applaud his efforts to bring a product like Superior Drummer to iOS, he falls miles short.

Lastly, I just ordered an iRig keys 37 that should arrive at the end of the week. I’m pretty excited about that. I have some really nice samples but no vehicle to bring the sounds to life.

 

 

 

 

And so it begins

And so it begins…

Ribs somewhat reasonably healed…. check!

Found an iPad DAW that would actually work with any interface…. Check!

What I’ve learned so far…

Cubasis LE for iOS has very strict hardware rules. Why would  you rule out Presonus as a valid vendor? THAT’S SO BAD! I have no idea why the list of  approved hardware vendors discludes Presonus, it’s quite illogical. They’re a major player in the industry!

https://www.steinberg.net/en/products/mobile_apps/cubasis_le/compatible_hardware.html

I really was set on Cubasis LE for iOS because the virtual instruments are really solid. The fact that the DAW doesn’t work with many industry standard hardware choices, even with the lightening wire to USB lit was a total deal breaker. So I found another DAW I knew nothing about.

Auria pro will work with almost all interfaces. I pulled the trigger on the $49.99 download this afternoon, it seems the learning curve is going to be somewhat difficult.

And so it begins…

Choosing a A2D / D2A converter For iPad Pro

Choosing a A2D / D2A converter has been an interesting process. At first I wasn’t thinking anything other than Apogee. The thing is I wanted to use in some small capacity my Yamaha HS80M monitors. The Apogee One and Duet are not good solutions to use monitors with. They both have 1 output for headphones, that’s it. The thought of using a 1/8″ stereo to TRS or XLR seemed like a really bad idea to me. I started to look around at other solutions with absolutely no expectations.

I used a little Google Foo skills and found a few interfaces that were decent solutions for the iPad Pro, but they could not come close to that Apogee converter and pre-amp reputation.  As I looked around I found a Few I really liked:

The Line 6 Sonic Port VX looks amazing, but hooking up the monitors long term isn’t going to be feasible. I like this unit so much I may purchase it and use it only for recording. The reviews I’ve read on the Microphone are solid.

The focusrite iTrack solo looks pretty cool too, but I would rather not use RCA as the monitor outputs.

The iConnectiyity looked like the one, but the reviews indicated the app and Drivers needed work everywhere I checked.

That left the PreSounus Audio Box iTwo! I think this is the interface I want, it has everything I’m looking for.

  • Separate 1/4″ TRS outputs.
  • One big Volume Knob.
  • Two inputs that can be used at the same time. 2 mics on a guitar amp at the same time!
  • An additional headphone output that is 1/4″ stereo.

I’ve used PreSonus interfaces before, I owned an AudioBox previously that I thought sounded plausible.  I have recorded through a few FireStudio’s I thought were cool sounding. Since this is an iPad Pro, I don’t think I necessary need to go Apogee to get what I am looking for. I need functionality, but I don’t need 4 inputs at $1399 from the Apogee Quartet. I certainly don’t need that huge price tag either.

If anyone has any input I would love you to comment!

Until next time, stay thirsty my friends!

 

The first track in a new DAW – iPad Pro 12.9 Review

In the past when adopting a new DAW, that first track was always the real learning curve. I am amazed at how much functionality from Logic Pro (X) is in Garageband 2.2 for iPad. I have my first scratch track put together. Musically it’s really bad, but I learned a lot creating it. I really dove deep into the MIDI arranging aspect, I have to say I am quite impressed.

What Garageband for iPad has from big Brother Logic X:

  • Drummer – This is the full Drummer from Logic X. Darcy is just as funky as she is in Logic.

 

  • Sampler – No it’s not the EXS 24, but having a bona-fide sampler in a Garageband environment is pretty amazing.
  • Full MIDI editing just like in Logic X.
  • Automation – Yes really, the automation is the fully robust exact method Logic Pro Uses.

Check out this video of the automation on an iPhone:

If you’re a Logic Pro X user, you know that feature is the real deal that resides in Logic Pro.

In creating my first project, I found myself finding many portions that I’ve previously mentioned of the UI to Mirror Logic X. I could not find a screen shot of the new Garageband iPad MIDI editor online, so I took one directly from my iPad pro. You can see, it’s the same MIDI UI in Logic X:

Garageband for iPad MIDI UI interface

Garageband for iPad MIDI UI interface

 

The thing I’m enjoying obviously is the Logic Pro UI elements, but with the added touch capabilities. It makes the learning curve so much less difficult! It’s been 10 awesome days since I brought the iPad Pro home, I am very seriously impressed. Not just with the iPad itself, but with how powerful the new 2.x version of Garageband for iOS truly is. This DAW is no toy! I’ve had it on my iPhone’s for years, in the past it was a novelty IMHO only useful for electronic music. However I can clearly see that this is the future of DAW, not just as a controller but as serious hardware.

The sounds of the virtual instruments are solid. There’s a few that don’t meet Logic X’s standards, but the bulk are the same great sounding sampled technology Apple’s Logic Pro is known for. The 4 speakers are bloody amazing! Rather watching NetFlix or arranging MIDI, audio it is really something that really blows me away. The sound quality absolutely stomps the latest Mac Book Pro by a far margin.

When I was watching the Key Note on 9/09/2015 I thought “wow who would pay this much for an iPad and not just buy a MacBook Air?” One thing I can say now is Processing Power, this iPad has MAD PROCESSING POWER! According to Apple iPad Pro is faster than 80 percent of the portable PCs shipped in the last 16 months. I’m certainly a believer….

Until Next Time…… Stay Thirsty my Friends!

Quotes that take My breath away…..

Take my memories, but I hope you’ve got a big appetite because I have lived a long life and I have seen a few things.  I walked away from the last great time war.  I marked the passing of the Time Lords.  I saw the birth of the universe and I watched as time ran out moment by moment until nothing remained.  No time, no space, just me!

I walked in universes where the laws of physics were devised by the mind of a mad man.  I’ve watched universes freeze at creation’s birth.  I have seen things you wouldn’t believe.  I have lost things you will never understand.  And I know things.  Secrets that must never be told, knowledge that must never be spoken.  Knowledge that will make parasite gods blaze! So come on, then!  Take it!  Take it all, baby!  Have it!  You have it all!
~ The Doctor

The_Doctor

 

 

The first sound ever!

When I was a wee Laddie we had a 1969 Zenith model x547-1 stereo record player that, the family that is, was allowed to touch. This was because Daddy had about 4k wrapped up in professional high-end McIntosh pro audio gear that would mean certain death of you even breathed on it! Me Da was a bit of a music snob, honestly he was a big fat music snob! A graduate of the University of Southern California he played in their Wind ensemble and Orchestra all over the states and Europe as a contra Bass player. He was a very well schooled classical musician and about as broad-minded musically as Hitler was on coexistence. Rock music wasn’t the devil, it was for pussies who couldn’t sight read!

We weren’t even allowed to listen to Rock music in my home growing up under the penalty of mowing lawns and cleaning garbage cans for life! Poor Da, he didn’t have a clue about the bumper sticker me Màthair sported on the back of her AMC of a prism with a rainbow illuminating through it and just how very Rock and Roll it was. Aye, you guessed it, Mums was a Floyd fan! Mums also had The Byrds, Johnny Cash, Willie Nelson, The Doors, Cream, Badfinger, Deep Purple, Steve Miller, Fleetwood Mac, John Mayall and Who records. They were all well hidden away from Da and enjoyed daily by the family until we heard the garage door open. Then we all scampered like Mice stashing all the records in our various hiding places!

dsotm

Most Importantly me Màthair owned one special album containing the first sounds I can recollect hearing in my life, that album was The Beatles Magical Mystery Tour. Still today I clearly remember the very first note of side one, Roy Copestake and John Wilbraham on trumpets in the opening riff followed by John Lennon’s spoken word narration “Roll up roll up for the magical mystery tour step right this way.” It’s not by anything other than design I went on to play Trumpet for 16 years of my life I was so inspired by the very first sound I can recall hearing. I had no idea they were talking about tripping, I figured that out later on.

the_beatles-magical_mistery_tour-frontal

The catalyst for this Press was finding the actual Zenith model x547-1 stereo record player today for sale I played this album on. Seeing it brought back a wealth of emotions that had eluded me since my early childhood in a Clairaudient  and Clairscent way. I could smell that room today recalling these memories I shit you not, it was wild! This musical happening took place when I was 2 1/2 years old but is still so incredibly clear in my mind I’m a little astounded at the accuracy I can still recall it with.

Zenith

I remember me Mums recalling how she was worrying about me in later conversations with my siblings. My mother, a special education teacher said I would rock back and forth in front of out little Zenith Record player for hours that summer playing Magical Mystery Tour over and over again. If anyone tried to interfere I would become quite out of control which was out of the norm of my very easy-going nature as a wee lad. She went so far as to have me tested by the powers at bay, they quickly confirmed I was a bloody nut case but, only when it came to music :D

Zenith2

This whole “thing” that transpired today has my Vintage electronics fetish buzzing like Mosquito’s Tweeter! Now I absolutely have to have a 1960’s era Zenith Solid State Stereophonic Record Player Turntable Model X547-1. I’m completely obsessed! In even a more twisted event concerning the happening of this afternoon I have the very same copy of The Beatles Magical Mystery Tour from my Childhood in my Vinyl collection. I think I may stop the earth inadvertently from rotating in some really brilliant kind of Chaos Magick spell if I were to play that Record on that Specific Stereo all these years later. FUCK! That sounds like so much mischievous fun >:D

My Alter Ego “I am Dead!”

I’m sitting in my studio with absolutely no voice whatsoever but I’m gleefully smiling :D I’ll explain in a minute. I’ve been working on segment music for a Broadcast Radio client of mine that’s been with me since 1995. The music was for a new gaming segment they’re adding to their “Computer Talk” radio program, of course it has to be the metal! (By Request). They want and I quote “a tune that sounds like a hot wheels commercial.” I’m not much of a Metal fan unless it’s Tool or Dream Theater, it seems to me and my taste Metal has all been done before. I don’t play metal at gigs and I wouldn’t audition for a metal gig unless someone tried to pass it off as something else (been there done that). It’s just not my cup of tea as a player.

The timing on this project couldn’t have been better.  I just finished watching “What we do is Secret” the story of the Germs. I was a little to young for the punk scene but I lived in the middle of it being in Los Angeles during Middle School. I remember kids wearing Germs shirts and hearing stories from my brother and his friends about Darby Crash (and his epic Heroin habit) and Pat Smear (Nirvana – Foo Fighters). I already had it in my mind to do some heavy Punk Riffing for fun in the studio because I’m a huge Germs fan and the film inspired me. I’m a huge fan of Punk Rock, I listen to the Dead Kennedy’s all the time still as I never seem to tire of them. Plus I resonate artistically toward the minimalism in Punk and good old 3 chord Rock. Angus RULZ!

In the same day (I know a lot of Netflix but I’ve been really Sick) I watched another film called Ladies and Gentlemen, the Fabulous Stains. I’d never heard of this film but it reminded me of working with scummy A & R people back when I was a young Lad trying to work my way up in the music business in LA 20 years ago. There’s a line from the Movie “Don’t Put Out” that was perfect for this tune so I threw it in there. I liked the film, but I usually like any film that has to do with musicians. Coal miners daughter, Walk the Line and the Pick of Destiny are among my favorites.

This is one of those projects where almost everything went perfect, almost, which is rare. I had some trouble with the drum production but I’m not a good drummer so I have to “fix it”to make it sound righteous in the mix. Outside of that I composed and recorded the music in less than 2 hours. I only did one take for the guitar solo and kept it as hinckey as it is in a few spots. The vocals aren’t going to the client just the arrangement, plus I can’t sing lead (my voice is nasally). So what is it that one must do when your voice is great for harmony but a Vick’s commercial a capella? Why bring out the Cookie Monster voice!

Cookie Monster Metal!

Cookie Monster Metal!

For many moons I’ve used a character  as a catalyst to write with before, the Staten Worshiping, Heroin addicted, on a Murder spree Loki Hendrix Mac Nicol. His mother let the neighbors rape him as a child while his drunk father beat him and his siblings which formed him into a psychopath. Loki is an alter ego kind of character bloody and violent to the core! Loki comes straight out of a Quentin Tarantino nightmare, he gets his kicks by stabbing people in the eye with his needles after he shoots up as a type of murderous mayhem and torture.

Loki Hendrix Mac Nicol

Loki Hendrix Mac Nicol was here!

As I’m doing the vocals on this project my voice is just getting tore up but I saved one last blast for the blood curdling scream Loki lets out in the intro. Oh my freaking Lord it hurt! The end of the story, I had so much fun doing this arrangement, more fun then I’ve had in quite some time solo cholo. FUN FUN FUN FUN FUN!!!! It wasn’t work, it was an enjoyable process especially when everything goes as easy as this one did. My Egnater Tourmaster sounds just brutal on this track, I cranked it up so loud I had to run cables all the way to the bathroom on the other side of the house to stop the bleed over. Check out my *cough* Loki’s blood curdling scream in the intro, I don’t think I will be answering the phone anytime today :D

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Oh, and remember to play this FUCKING LOUD!