Focusrite Launches iTrack One Pre

This week Focusrite launched  iTrack One Pre for iOS. This is a cool looking micro single Microphone pre-amp and D 2 A converter. So small is the iTrack One Pre you could record with it anywhere.

2

One of the features touted by Focusrite is the phantom power for any condenser microphone can be run off the iOS devices battery. I know I’m skeptical here but some condenser microphones soak a lot of power. I have a Neuman TLM 103 that pulls so much power it will only work on my P-Solo Pre. I can see certain microphones draining the iOS device battery very quickly.

1

Features List:

  • The preamp in iTrack One Pre lets you capture clear recordings of vocals and acoustic instruments directly into Garageband and other iOS apps.
  • The right recording level is set via the illuminated gain halo.
  • With a micro-suction base, iTrack One Pre will stick on any flat surface without moving.
  • Focusrite’s iTrack One Pre generates phantom power from iPhones and iPads, so you can record with professional condenser microphones.
  • The high-headroom guitar input will capture every element of tone and playing style without any clipping or unwanted distortion.
  • Officially Apple certified, iTrack One Pre works perfectly with iOS devices up to and including iPhone 6s, and music making apps including Novation’s iOS app Blocs Wave.

The one change I would like to see changed in the next form factor is a headphone jack. Apple is removing them which would make this item useless with my iPhone 7 plus. The new lightening connector head buds from Apple will work on any iOS 10 device. This indicates a standard that I assume will part of the new iPad launch this month.

I suspect if a headphone jack is added to the iTrack One Pro I will own one. I think the design is a really good idea.

The iTrack One Pro is available now for $129.99 US.

Advertisements

Drum Session sounds GREAT!

I must admit I have not had the time to dive deep into drum Session, but I’ve put some good solid 2 hours into going through the UI and mostly listening. I just took a new position that I am so ecstatic to have, it’s a perfect fit for me. In my defense, the hours I’m spending at the day gig are long. Usually, I would be all over a great app like Drum Session.

Since today the first update rolled out of the iTunes store, I felt compelled to write about Drum Session before I updated. This is not a review just yet… Here’s what I know thus far:

It sounds fantastic!
It’s very simple to use
The MIDI piano roll portion of the UI is very solid.

The piano roll was updated in the Version 1.0.3 release today, but I’m still running the original version. I think it’s solid! I haven’t updated the app yet to V 1.0.3, I wanted to finish this blog before I had scrum release blues opinions.

What really stands out:

  • There is a plethora of drum kits in Drum Session. This is great because most of the samples are mixed with different reverb and compression levels. However most have a reasonably dry mix for each kit. That is really a feature I like A LOT!
  • Drum Session sounds so much better that any app I have heard since launching my iOS music creation experiment in March of this year. This is the KILLER Drum app I have been waiting for.
  • There’s a lot of choice for $24.99. It’s scalable for the price, It’s scalable for sound, It’s scalable for custom beat creating when you can compare to other apps available. That’s a huge value add for me.

The only feature request I have for you Derick Buddemyer if you read this is the font color in the UI. I’m not sure if this is because I am using the 12.9” screen of the iPad pro, but the dark font color against the dark grey background is difficult to see on the top buttons and the black piano keys of the UI. That’s the only feature enhancement I can suggest.

After 2 hours, I love this app and I think many others will too!

And so it begins

And so it begins…

Ribs somewhat reasonably healed…. check!

Found an iPad DAW that would actually work with any interface…. Check!

What I’ve learned so far…

Cubasis LE for iOS has very strict hardware rules. Why would  you rule out Presonus as a valid vendor? THAT’S SO BAD! I have no idea why the list of  approved hardware vendors discludes Presonus, it’s quite illogical. They’re a major player in the industry!

https://www.steinberg.net/en/products/mobile_apps/cubasis_le/compatible_hardware.html

I really was set on Cubasis LE for iOS because the virtual instruments are really solid. The fact that the DAW doesn’t work with many industry standard hardware choices, even with the lightening wire to USB lit was a total deal breaker. So I found another DAW I knew nothing about.

Auria pro will work with almost all interfaces. I pulled the trigger on the $49.99 download this afternoon, it seems the learning curve is going to be somewhat difficult.

And so it begins…

Choosing a A2D / D2A converter For iPad Pro

Choosing a A2D / D2A converter has been an interesting process. At first I wasn’t thinking anything other than Apogee. The thing is I wanted to use in some small capacity my Yamaha HS80M monitors. The Apogee One and Duet are not good solutions to use monitors with. They both have 1 output for headphones, that’s it. The thought of using a 1/8″ stereo to TRS or XLR seemed like a really bad idea to me. I started to look around at other solutions with absolutely no expectations.

I used a little Google Foo skills and found a few interfaces that were decent solutions for the iPad Pro, but they could not come close to that Apogee converter and pre-amp reputation.  As I looked around I found a Few I really liked:

The Line 6 Sonic Port VX looks amazing, but hooking up the monitors long term isn’t going to be feasible. I like this unit so much I may purchase it and use it only for recording. The reviews I’ve read on the Microphone are solid.

The focusrite iTrack solo looks pretty cool too, but I would rather not use RCA as the monitor outputs.

The iConnectiyity looked like the one, but the reviews indicated the app and Drivers needed work everywhere I checked.

That left the PreSounus Audio Box iTwo! I think this is the interface I want, it has everything I’m looking for.

  • Separate 1/4″ TRS outputs.
  • One big Volume Knob.
  • Two inputs that can be used at the same time. 2 mics on a guitar amp at the same time!
  • An additional headphone output that is 1/4″ stereo.

I’ve used PreSonus interfaces before, I owned an AudioBox previously that I thought sounded plausible.  I have recorded through a few FireStudio’s I thought were cool sounding. Since this is an iPad Pro, I don’t think I necessary need to go Apogee to get what I am looking for. I need functionality, but I don’t need 4 inputs at $1399 from the Apogee Quartet. I certainly don’t need that huge price tag either.

If anyone has any input I would love you to comment!

Until next time, stay thirsty my friends!

 

Moving is not good for your Music? Part Tres

Sprint Sprint Sprint! Sprint offered me a value added incentive, instead of turning in my phone they would give me that allowance on an iPad Pro. It had to be an iPad pro, the other mobile devices were leases,  not an ownership option. As it has worked out, I’m paying much less for the iPad pro that I would directly from apple.

So…. This makes me one happy person!

Why not make music on a mobile device when your limitations are apartment bound? After months that have turned into over a year and a half, it became obvious. I can’t create Music at the level I could in the past using Logic in a 3 bedroom home, but gosh I can create Music. That part of my life was MIA and that part of my life IS MY LIFE! (excluding family of course).

Thank you Sprint and thank you iPad Pro!

I’ve only had the iPad Pro for a short time, but I am very impressed with what it can do. It’s very powerful under the hood, more powerful than any desktop I have in my home.

A9X chip is performing really well.

I’m really happy thus far……

 

FullSizeRender

I have a lot to share, but for now…. Stay thirsty my Friends!

 

 

Slate Pro Audio RAVEN MTX

Today Steven Slate released a new video of his new Raven Touch Studio Console. The Raven MTX is now available at gcpro.com in the US and MEDIAPROS.co.uk in the EU. No word on availability of the smaller Raven MTi shown at NAMM. I also might add the Price point is 16.5k US Stereo and $17.5k surround, a lot higher than SS marketing people have said in the past pre release. Also a note of interest it is “Macintosh only” at this time however a windows capable unit is in the works. I think it’s an amazing Desk and, if it works properly, a huge game changer for DAW.

R.I.P. Andy Johns 1952 – 2013

Producer Andy Johns has died at the age of 61.

The big-name deskman worked with the Rolling Stones between 1968 and 1973, and was behind their landmark 1972 album Exile On Main Street.

He produced Led Zeppelin IV in 1971. Among his other titles are two by Humble Pie, three by Free, Television’s Marquee Moon, Hughes/Thrall, Van Halen’s For Unlawful Carnal Knowledge, three by LA Guns, Joe Satriani, Chickenfoot’s debut and many others.

As an engineer he worked many times with Zep and the Stones and also with Godsmack, Eric Clapton, Mott The Hoople, Joni Mitchell and more.

Fellow producer Kevin Shirley has paid tribute, saying: “Andy is a bona fide legend. I met him in New York with Pat and Zoe Thrall when he was very condescending to me at Ruby Foo’s over some cold sake.

“After listening to some of my work he became somewhat of a fan, according to my friend Pat Thrall, who witnessed him listening to one of my Aerosmith mixes for hours.

“Andy’s legacy is huge – The Rolling Stones, Led Zeppelin to name a couple. Wherever it is you go to, I know you’ll keep ‘em rocking! Love and respect in boatloads.”

Brian May of Queen adds: “He was a lovely guy: patient, skilled, funny, encouraging, sharp – all the qualities you want in someone who’s getting your music onto tape. I remember him as one of the Olympic Studios team in Barnes. He went on to become one of the very top rock producers in the world.”

Slash comments: “One of the greet engineer-producers of our time. Free, Zeppelin, Stones – the list goes on. He will be sorely missed.”

Chickenfoot and Red Hot Chili Peppers drummer Chad Smith says: “RIP Andy – he made some of my all-time favourite records.”

SoundToys Little MicroShift free until the 29th of March!

SoundToys is one of the Platinum premiere Pro Tools Plugin companies in the industry. I think the software they author is some of the best sounding available. Until March 29th SoundToys is giving away the Little MicroShift Plugin free. I  downloaded mine this evening and I can’t stop mixing tracks with this little Gem. It sounds amazing in the mix! A must have for guitar players and vocalist, don’t lose out on this.

You must have an iLok and use this code: 406-2024-803 and register your Little Microshift Here: https://www.soundtoys.com/sxsw2013/&rc=406-2024-803

SoundToys Still creates world-class TDM and RTAS plugins for Pro Tools but now all SoundToys plugins are AU and VST compatible. That’s a big deal to Logic and Cubase users and full of win for us that use more than Pro Tools exclusively for DAW.  Go grab yours now!

My Alter Ego “I am Dead!”

I’m sitting in my studio with absolutely no voice whatsoever but I’m gleefully smiling :D I’ll explain in a minute. I’ve been working on segment music for a Broadcast Radio client of mine that’s been with me since 1995. The music was for a new gaming segment they’re adding to their “Computer Talk” radio program, of course it has to be the metal! (By Request). They want and I quote “a tune that sounds like a hot wheels commercial.” I’m not much of a Metal fan unless it’s Tool or Dream Theater, it seems to me and my taste Metal has all been done before. I don’t play metal at gigs and I wouldn’t audition for a metal gig unless someone tried to pass it off as something else (been there done that). It’s just not my cup of tea as a player.

The timing on this project couldn’t have been better.  I just finished watching “What we do is Secret” the story of the Germs. I was a little to young for the punk scene but I lived in the middle of it being in Los Angeles during Middle School. I remember kids wearing Germs shirts and hearing stories from my brother and his friends about Darby Crash (and his epic Heroin habit) and Pat Smear (Nirvana – Foo Fighters). I already had it in my mind to do some heavy Punk Riffing for fun in the studio because I’m a huge Germs fan and the film inspired me. I’m a huge fan of Punk Rock, I listen to the Dead Kennedy’s all the time still as I never seem to tire of them. Plus I resonate artistically toward the minimalism in Punk and good old 3 chord Rock. Angus RULZ!

In the same day (I know a lot of Netflix but I’ve been really Sick) I watched another film called Ladies and Gentlemen, the Fabulous Stains. I’d never heard of this film but it reminded me of working with scummy A & R people back when I was a young Lad trying to work my way up in the music business in LA 20 years ago. There’s a line from the Movie “Don’t Put Out” that was perfect for this tune so I threw it in there. I liked the film, but I usually like any film that has to do with musicians. Coal miners daughter, Walk the Line and the Pick of Destiny are among my favorites.

This is one of those projects where almost everything went perfect, almost, which is rare. I had some trouble with the drum production but I’m not a good drummer so I have to “fix it”to make it sound righteous in the mix. Outside of that I composed and recorded the music in less than 2 hours. I only did one take for the guitar solo and kept it as hinckey as it is in a few spots. The vocals aren’t going to the client just the arrangement, plus I can’t sing lead (my voice is nasally). So what is it that one must do when your voice is great for harmony but a Vick’s commercial a capella? Why bring out the Cookie Monster voice!

Cookie Monster Metal!

Cookie Monster Metal!

For many moons I’ve used a character  as a catalyst to write with before, the Staten Worshiping, Heroin addicted, on a Murder spree Loki Hendrix Mac Nicol. His mother let the neighbors rape him as a child while his drunk father beat him and his siblings which formed him into a psychopath. Loki is an alter ego kind of character bloody and violent to the core! Loki comes straight out of a Quentin Tarantino nightmare, he gets his kicks by stabbing people in the eye with his needles after he shoots up as a type of murderous mayhem and torture.

Loki Hendrix Mac Nicol

Loki Hendrix Mac Nicol was here!

As I’m doing the vocals on this project my voice is just getting tore up but I saved one last blast for the blood curdling scream Loki lets out in the intro. Oh my freaking Lord it hurt! The end of the story, I had so much fun doing this arrangement, more fun then I’ve had in quite some time solo cholo. FUN FUN FUN FUN FUN!!!! It wasn’t work, it was an enjoyable process especially when everything goes as easy as this one did. My Egnater Tourmaster sounds just brutal on this track, I cranked it up so loud I had to run cables all the way to the bathroom on the other side of the house to stop the bleed over. Check out my *cough* Loki’s blood curdling scream in the intro, I don’t think I will be answering the phone anytime today :D

spacer

Oh, and remember to play this FUCKING LOUD!