The second post I made as I revived the blog a bit further in 2019 was about ramping up my creative process. As 2019 has come to a close I have reflected a bit and done quite a bit. I focussed on the technological side of things such as hardware and software rather than physical things like wall treatment and sound. I’ve concluded the home I am in is not worth spending the money on proper sound treatment. It can be done but I’m only planning on staying in this house for another few years. The build alone would be expensive and devaluate the house without significant costly deconstruction.
I’m using what sound treatment I have which helps but falls far short of mixing quality. In the end I enjoy the more technical end of preparing the studio and creating within it. The sound treatment has always been out of necessity and not very enjoyable. Equate that with the old plaster walls, time constraints and monetary costs, I shelved the idea almost completely. The old wall treatment will have to do and I can mix projects elsewhere or have someone else mix and master for me.
I found that going back to MacJournal version 6 was my “Hack” so to speak. MacJournal v6.x would let me instal the few years of journals I did have access to. The new version 7.0 would not but it’s still a new version. I created an automated Cron Job for MacJournal 6 that keeps the data backed up to the cloud. That was one of the “will not compromise points” I had, it has to have automated backup. It’s not ideal since the cloud never prunes the entries once MacJournal combines them, but I certainly won’t lose any data. Loosing 14 years of Journals was crushing.
I have to give a big thanks to Steve Zeoli over at welcome to sherwood. Not only for the massive amount of data he has written on Journaling and note taking software, but also letting me bounce things off him in his comments section. He has been very helpful, thanks Steve.
On to MasterWriter! I was lucky that I was able to get the old non cloud version to install and verify after I purchased a Mountain Lion disk from Apple. The MasterWriter publisher was absolutely bullying me to buy the newer YRR based cloud solution. I own the software I’m not going to be sold into something I already own by anyone. I simply figured out a way around the DRM verification. The endpoint the licensing was pointed to is no longer present those shmucks. I was able to import all my projects and am going through them one at a time. Once I sift through the lyrics then I can upgrade at MY leisure. There will be no arm twisting in 2020 I can happily say.
The rest of the year was spent seeing up hardware I had never worked with previously. There was a learning curve especially on the Alesis VX49. I had purchased that controller 18 Months before I moved and had been using my M-Audio Key Station 88 for over a decade. 88 keys worth of controller is just to large for the room I have. In that time inMusic had really started running the Aesis brand into the ground like they have with all the other brands they’ve acquired. The once great manufacturer of ADATS can’t even support a simple keyboard controller. I look at what they’re doing to M-Audio since DigiDesign sold to them and cringe. The Microphones and Preamps M-Audio were improving over the years had become fantastic. Now they are absent from the new product page entirely. InMusic is like the Private Equity of Music Gear Manufactures.
For obvious reasons finding information for the VX49 was hard and what you could find was not much. That Akai (another InMusic brand) VIP software it was built around was just garbage. The controllers 4” LED screen (the wow factor) was largely built around VIP. This made the configuration of the controller hard to work with and very time consuming. I have it almost dialed in to my specs but it took 2 months. That’s a one day endeavor normally but the VX49 fits perfect size wise. Even another 49 key controller would not fit nearly as well, believe me I looked.
As for next year I’m not going to look too far forward. In Q1 I will finish all the software setup and dial in the DAW so the workflow is quick and easy. Beyond that I just want to use it more and work on it less but don’t we all.
Have a Blessed 2020!